MUMBAI: John Abraham has been one of the most remarkable actors from the Indian Cinema who has always reinvented himself for his projects and did complete justice to his characters. The actor entered the industry with intensity personified, earned major recognition from his negative role in Dhoom, delivered some hilarious performances in Garam Masala and Housefull 2, evolved with intensity and yet broke his ‘action-hero’ stereotype repeatedly. There’s no way one can stop him.
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The Diplomat, John Abraham’s latest movie has already arrived and it has garnered a massive amount of appreciation from the audience for firstly being a true story with not so much extra ‘masala’ and keeping things as authentic as possible, secondly, a not-so-much touched subject and unique storyline. The movie is directed by Shivam Nair and features Sadia Khateeb, Prapti Shukla, Sharib Hashmi, Jagjeet Sandhu and Ashwath Bhatt.
Now in an exclusive segment ‘Magic With GiGi’, anchor, actor and scriptwriter Gayatri Gauri got in touch with John Abraham it was pointed out his character and the entry scene in The Diplomat was so distinguished from all his previous work.
When asked about what it took to get into that character, John Abraham gave credit to Director Shivam Nair for putting him ‘into that zone’ and writer Ritesh Shah who respected ‘process’. He also gave credit to the workshops done with Saurabh Sachdeva.
Revealing some important parts of the workshop, John Abraham said, “I did workshops with my cast but I wasn’t allowed to meet Uzma/Sadia, before that shot (the entry scene) because my director consciously kept me away from Sadia and Sadia away from me, so the first time we meet in the scene that you saw, it was actually the first time we saw each other, which is why you get a lot of honesty in the performances when I’m looking at her and she’s crying and I didn’t speak to her at all. I didn’t even see her before that scene so I would give credit to innumerable things and also my knowledge of whatever little I knew about the subject before we went into shoot.”
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