Running my film down is not going to help any other film: Gyan Correa

His movie has been selected as India’s entry to the Oscars. Yes, we are talking about Gyan Correa’s The Good Road. However, since the announcement, the film has been criticized a lot as many believe that The Lunchbox deserved to go to the Oscars. In a chat with Tellychakkar.com, Gyan talks about his movie, Oscar dreams, criticisms and more. Read on… There seems to be a very intense line of thought in Bollywood that Ritesh Batra’s The Lunchbox should have gone to the Oscars? Some people seem quite upset by the decision. I am hoping they would stop being upset in a while. They are seasoned people and have been around long enough. There are reviews of your film, apparently published at the time of release which describe the film as a “horrible” film that failed critically and commercially on release? I am curious as to where these reviews are coming from. Had you seen these reviews when the film was released? No, not at all! I’d love to read these reviews. As for the criticism some people said the language was bad. But that’s it. No critics as far as I know thought my film horrible. You mean abusive language? That doesn’t make it a bad film… I agree. May I tell you something straight from my heart? I am new to all this and I really don’t know how to deal with this whole unsavoury controversy. Very genuinely I feel the film I made has merit. Otherwise it wouldn’t have been selected for the Oscars. People who hadn’t heard of the film let alone seen it, are criticizing it. That I think is unfair. The jury’s wisdom is also being questioned? I think it’s inappropriate for people who had a film in the competition to be publicly discussing and questioning the process of selection. I wouldn’t do that. I was very surprised by the comments on the jury...that they don’t know cinema and all that. Most uncalled-for. Have you seen the Lunchbox? No. But I am going to see it as soon as possible. Lunchbox and The Good Road are siblings. They’ve both come out of the NFDC route in different ways. So both films have originated from the same foundation where good cinema is fostered. That’s the way I see it. The real story is that the NFDC which once used to nurture meaningful cinema is back in business. This other story (about Oscar-worthiness) is totally out of league. But that’s the story that seems to be gathering momentum? Running my film down is not going to help any other film. I didn’t select the film (for the Oscars). A committee that knows its job did the selection. I had no say in it. I respect the jury and I feel every other filmmaker should. Now that The Good Road has been selected the film fraternity should support it. Moving ahead, tell me about yourself? I am a Mumbai-based filmmakers. I was an ad maker. The Good Road is my first feature film. The NFDC was the only organization willing to produce my film. Lobbying for an Oscar in Los Angeles is a very expensive time-consuming process. Are you prepared for the struggle ahead? I’ve to meet my producers (the NFDC) and discuss our strategy. We do have a plan. Raising resources for our struggle in LA is not an easy job.