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TellychakkarTeam
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Fri, 10/12/2018 - 14:03
MUMBAI: Indiantelevision.com has been on the forefront of bringing to you the news from the world of trade, animation, radio and other music; and as obvious as this may sound, television and Bollywood!
There are a number of people who work behind the camera to make the project a success and to credit, acknowledge and honour them, we introduce to you the 15th edition of the Indian Telly Technical Awards.
Veere Di Wedding Director Shashanka Ghosh who is also the director of a cutting edge web series Hey Prabhu shares his experience of directing slice of life dramas, right from Veere Di Wedding to Hey Prabhu, a digital web series for millennials.
“I feel that when your intent is to tell a story and the censorable acts are not just to sensationalize, then censors will side with you - if you have chosen to handle it responsibly. My recent project (Hey Prabhu), follows a guy who has seen massive digital success along with some serious and timeless analogue problems. So yes, I feel the series will have a lot of people saying ' yeah, that's what happens in my life'”
The complete collaboration between an actor and director, with both parties realizing tricky yet required treatment of scenes is the recipe to treat a scene right according to Ghosh. He doesn’t subscribe to the treatment of a scene being a one person’s headache - be it the actor or director.
His mantra of tackling sensitive scenes on screen is simple- ‘sensitivity’ he answers in one word.
Veere Di Wedding Director Shashanka Ghosh who is also the director of a cutting edge web series Hey Prabhu shares his experience of directing slice of life dramas, right from Veere Di Wedding to Hey Prabhu, a digital web series for millennials.
“I feel that when your intent is to tell a story and the censorable acts are not just to sensationalize, then censors will side with you - if you have chosen to handle it responsibly. My recent project (Hey Prabhu), follows a guy who has seen massive digital success along with some serious and timeless analogue problems. So yes, I feel the series will have a lot of people saying ' yeah, that's what happens in my life'”
The complete collaboration between an actor and director, with both parties realizing tricky yet required treatment of scenes is the recipe to treat a scene right according to Ghosh. He doesn’t subscribe to the treatment of a scene being a one person’s headache - be it the actor or director.
His mantra of tackling sensitive scenes on screen is simple- ‘sensitivity’ he answers in one word.
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