Kanguva Review: Suriya and Bobby Deol clash in a war of Titans where scale meets substance

Directed by Siva and produced by UV creations along with Suriya's in house stable, Studio Green, Kanguva stars the producers himself alongside Bobby Deol, Disha Patani, K. S. Ravikumar, and Yogi Babu.
Kanguva

MUMBAI: Amidst a plethora of South Indian content making waves, Kanguva arrived not just as a game-changer but as a game-elevator. From its innovative concept to the music, to presenting the actors in an entirely new way, and next-level action sequences, everything in this film adds up to an experience like never before. Most of the praise should go to the refreshing new concept. The way director Siva distinguishes two different worlds — a prehistoric era and a modern one — is unlike anything anyone has imagined before.

While Kanguva is an amalgamation of so many elements making it different from what we’ve seen so far, it's Suriya’s performance that makes it even more compelling. As both Kanguva and Francis, he delivers an amazing dual appearance, with each character distinct from the other. Coming to Bobby Deol, this man is simply unstoppable. He’s even more terrifying than in his last film, Animal.

A major highlight of the film is the action sequences, some of which are just mind-boggling. They evoke memories of Baahubali, where each action piece had its own uniqueness. In one standout sequence, Suriya battles an entire army in a small jungle, brilliantly using his knowledge of the terrain and the assistance of animals in his fight. The thoughtfulness in designing such action is impressive. The stunt choreography is outstanding and deserves full marks for its conceptual brilliance.

The music is also praiseworthy, especially the “Fire Song,” which is not only audibly stunning but also features top-notch choreography.

As for the twists, prepare to be amazed. One twist at the interval point is jaw-dropping. The last hour is absolutely mind-blowing and exhilarating, with beautifully intercut action sequences from the past and present. It’s thrilling to see the director seamlessly transition between two worlds, each with its own energy, heightening the intensity. Both worlds are so different, yet the transitions are so smooth. Even with different fighting styles, terrains, and weapons, there’s no jarring effect; instead, you're left on the edge of your seat.

This is arguably one of the best movies released this year, especially when it comes to South Indian cinema. 
Beyond its massive scale, it’s a story that truly connects with and engages the audience, keeping them on the edge of their seats. There isn’t a single moment to skip.

4/5 stars

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Submitted by Russel D'silva on Thu, 11/14/2024 - 15:47

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